Treasured Lands Book Review

Treasured Lands

After following QT Luong on social media and periodically exchanging short communications through such means, I finally met him in person when he invited me to join him into the interior of Yellowstone National Park in the middle of winter. He had already explored and documented every national park by early 2011, but he had never seen Yellowstone buried in snow. The few who have been there during that time, the interior especially, will tell you it’s a completely different park. Having not experienced it myself, I eagerly accepted the invitation. Continue reading “Treasured Lands Book Review”

How a photographer is busting the stereotype of Syrian refugees

I heard all the news reports beginning in 2012.  First it was a few hundred, then a few thousand Syrians killed by their own government.  Then tens of thousands.  I said to myself, wow, the world can’t possible let this continue.  Eventually, as we now know, over a half million dead and 11 million displaced from their homes with almost half outside the country looking for a new place to live.

The photojournalists were instrumental in bringing all this to our collective attention and a few incredible images finally started the world moving. This amazingly sad photograph by Aylan Kurdi was among the most powerful.

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Jackson Hole Total Eclipse Guide

Jackson Hole Total Eclipse Guide
I’m super excited for my new book to come out this month: Jackson Hole Total Eclipse Guide, the Commemorative Official Guidebook. It’s loaded with eclipse photography specifics, safety info, and locations to shoot from. If you want to photograph the eclipse over the Grand Teton, this book has specific locations to shoot from. It has specific locations to be in on August 21, 2017.
Photographing an eclipse is actually pretty dangerous. I partly fried the inside of my D300s during the 2012 partial eclipse. Oops! My Nikon still works but it was a good lesson. It was like looking into a laser beam.
It also explains how to photograph the total eclipse. The difference between shooting a partial and a total eclipse is massive. Your exposure goes from, well, the sun, all the way to starlight in a few seconds. Can you shoot 11 bracketed shots in 2 minutes under pressure? That’s what it takes to capture that corona and the stars.

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