When you feel the need for speed

I have commented previously about the time spent at a computer in our world of high-resolution digital photography. When I am not out shooting, I am often in the office in Jackson, Wyoming at the computer importing, tweaking, categorizing, editing, and backing up large numbers of digital images.  One of the first things I learned was don't try to do this on your average laptop.

Today's high-end digital cameras produce raw file images that easily exceed 25 - 40 megabytes per image. Large multi-layer edits and specialized combined images, like panoramas, can easily kick the file size up to 100 or 200 megabytes or even a gigabyte in size. Handling these huge files takes some serious computing power.

My recommendation for an office / studio computer for high volume editing is a traditional tower computer - usually a high speed model designed for gaming. These gaming PCs have high power processors, lots of memory, a dedicated video processor with additional memory, and high speed peripheral ports to external devices. My office system is based around such a gaming PC and is shown on the cover photo of this post.

Let's take a look at some of the specs needed to handle today's large files and editing software. I have a CyperPower PC available from many gaming PC distributors. The heart of this monster is a 4.33 MHz dual-core processor accessing 16 GB of RAM and driving a high speed video card with an additional 2 GB of memory. This is a good kick-start but the real accelerator in the system is a solid-state drive (SSD) that houses all of the operating system and all software. The SSD is between 4 and 10 times faster than the best mechanical hard drive and the speed is evident when you are opening large files. There is a Blu-Ray DVD / CD drive for loading software and burning preview disks for clients.  The traditional 2 TB internal hard drive and 3 cooling fans completes the guts of the tower.

I have chosen USB-3 peripherals. You can use fire-wire and other proprietary connections but I like the ease of use and wide compatibility of the USB connectors. The tower has 2 USB-3s in front and 4 in back along with a few USB-2s for I/O devices like keyboards and tablets.  I chose Logitech wireless wave keyboard and wireless 4-button / wheel mouse for general input and control of the machine. Another port is used for a high speed card reader for my CF and HSSD camera cards.

Also using the USB-3 connectors are a series of external hard drives for back-up and additional archiving of images. I use a pair of 4 TB primary back-up drives, a 2 TB travel drive, and a 1T drive with the SSD image just in case this highly reliable device should fail or be corrupted. Another option is a RAID drive with automatic dual-drive back-up. It is on my wish list but the high cost and lack of higher capacity make me stick with the twin 4 TB externals. When a 16 GB RAID device is available at a reasonable cost, that will be the way to go.

The main editing interfaces are a pair of 27" ViewSonic high resolution monitors linked by HDMI to the PC. Two large monitors are almost essential to efficient editing. When I am working in Adobe LightRoom, I use the keyboard/mouse with the interface on the right-hand monitor and a full-screen image on the left-hand monitor. This saves constant switching back and forth to full-screen views after each edit. When I need to open PhotoShop for more advanced pixel-level editing, it comes up on the right-hand monitor above the Wacom Intuos-5 digital tablet.  I simply angle my chair a little to the left and pick up the stylus and I am ready to go. When I save the edited image, it drops back into LightRoom on the right-hand monitor and I am ready to move on.

In a nutshell, the keys for efficient digital editing are a high speed processor with lots of RAM and plenty of external disk space for back-ups. Meticulous cataloging and key wording of images and daily back-up of your work should allow you to stay in the field shooting and minimize your time at the computer.

When you feel the need for speed

I have commented previously about the time spent at a computer in our world of high-resolution digital photography. When I am not out shooting, I am often in the office in Jackson, Wyoming at the computer importing, tweaking, categorizing, editing, and backing up large numbers of digital images.  One of the first things I learned was don’t try to do this on your average laptop.

Today’s high-end digital cameras produce raw file images that easily exceed 25 – 40 megabytes per image. Large multi-layer edits and specialized combined images, like panoramas, can easily kick the file size up to 100 or 200 megabytes or even a gigabyte in size. Handling these huge files takes some serious computing power.

My recommendation for an office / studio computer for high volume editing is a traditional tower computer – usually a high speed model designed for gaming. These gaming PCs have high power processors, lots of memory, a dedicated video processor with additional memory, and high speed peripheral ports to external devices. My office system is based around such a gaming PC and is shown on the cover photo of this post.

Let’s take a look at some of the specs needed to handle today’s large files and editing software. I have a CyperPower PC available from many gaming PC distributors. The heart of this monster is a 4.33 MHz dual-core processor accessing 16 GB of RAM and driving a high speed video card with an additional 2 GB of memory. This is a good kick-start but the real accelerator in the system is a solid-state drive (SSD) that houses all of the operating system and all software. The SSD is between 4 and 10 times faster than the best mechanical hard drive and the speed is evident when you are opening large files. There is a Blu-Ray DVD / CD drive for loading software and burning preview disks for clients.  The traditional 2 TB internal hard drive and 3 cooling fans completes the guts of the tower.

I have chosen USB-3 peripherals. You can use fire-wire and other proprietary connections but I like the ease of use and wide compatibility of the USB connectors. The tower has 2 USB-3s in front and 4 in back along with a few USB-2s for I/O devices like keyboards and tablets.  I chose Logitech wireless wave keyboard and wireless 4-button / wheel mouse for general input and control of the machine. Another port is used for a high speed card reader for my CF and HSSD camera cards.

Also using the USB-3 connectors are a series of external hard drives for back-up and additional archiving of images. I use a pair of 4 TB primary back-up drives, a 2 TB travel drive, and a 1T drive with the SSD image just in case this highly reliable device should fail or be corrupted. Another option is a RAID drive with automatic dual-drive back-up. It is on my wish list but the high cost and lack of higher capacity make me stick with the twin 4 TB externals. When a 16 GB RAID device is available at a reasonable cost, that will be the way to go.

The main editing interfaces are a pair of 27″ ViewSonic high resolution monitors linked by HDMI to the PC. Two large monitors are almost essential to efficient editing. When I am working in Adobe LightRoom, I use the keyboard/mouse with the interface on the right-hand monitor and a full-screen image on the left-hand monitor. This saves constant switching back and forth to full-screen views after each edit. When I need to open PhotoShop for more advanced pixel-level editing, it comes up on the right-hand monitor above the Wacom Intuos-5 digital tablet.  I simply angle my chair a little to the left and pick up the stylus and I am ready to go. When I save the edited image, it drops back into LightRoom on the right-hand monitor and I am ready to move on.

In a nutshell, the keys for efficient digital editing are a high speed processor with lots of RAM and plenty of external disk space for back-ups. Meticulous cataloging and key wording of images and daily back-up of your work should allow you to stay in the field shooting and minimize your time at the computer.

The Rocky Mountain Photo Council

RMPC LogoThe Teton Photography Group Steering Committee is constantly looking for new ways to serve our members. We try to prioritize our efforts according to feedback from annual member surveys and suggestions made directly by our members. One of the highest priorities has been in the area of regional photography educational programs. To help make our members aware of these programs, we have reached out to other photography clubs in Wyoming, Idaho, southwest Montana, and northern Utah. We were made aware of a similar effort several years ago and contacted those leaders who spear-headed this work.

It turns out that the early work to bring western photography clubs together was headed by a now-defunct photo club and the website listing the member clubs was out of date and incomplete. We contacted the organizers and were given permission to use the previous name and logo to revive the efforts and bring western regional photo clubs together in a shared data base. The Teton Photography Group has become the home of the Rocky Mountain Photo Council. We have contacted all 17 photography organizations in the region and have confirmed that 12 are active and have chosen to participate in the Council. Our webmaster, Mike Cavaroc, has created a page hosted on our site with links to all 12 organizations. In the next couple of months we hope to have a “Quick View” of each club and their activities as well as complete contact information available on the RMPC pages.

We sincerely hope that having information about all of the regional clubs and their members having information about the TPG will stimulate cross-fertilization of ideas and bring interested photographers to other club meetings when they are in the area. We also hope that by getting information about the TPG out in the region, our members will have greater exposure and opportunities to share their work.

All tolled, we hope that the Rocky Mountain Photo Council will be a valuable service to all photographers living in and traveling through our part of the country. You will see the link to the RMPC on our home page soon but until then the link is: www.TetonPhotographyGroup.org/RMPC.